Putting the Pageant Cart Before the Plague
Designers
Tony-winning designer David Zinn creates a playful medieval world for The Amateurs
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Harrison and the design team decided that Gregory, the play’s almost-mute scenery maker, was way ahead of his time. “So we sort of borrowed liberally from both the idea of a medieval pageant wagon and the theatre of our last few centuries, and smooshed it together to make Gregory’s vision,” Zinn explains.
Zinn says the hardest part of the design was getting the inside of the wagon just right, since it serves as the small stage for the troupe’s medieval pageant. The members tow it from town to town, and it holds their props. Working within the limitations of the Vineyard Theatre’s resources, the cast and creatives discovered “how beautiful the cart can be when it’s open by really leaning on how small it can be when it’s closed up,” says Zinn. There are majestic stage moments late in the play, when “it’s like the cart kind of blows up in scale to take on the whole theatre.”
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Zinn was attracted to the play’s “kind of ye olde theatricality” and the stage magic at its core. “The roughness of the landscape that these medieval players are in, smashed up against the kind of sweet and stupid theatrical magic that is in their little cart, just seemed like a really sweet, sweet spot for me,” he says.
In trying to conceive how the set would look, Zinn took inspiration from the spare aesthetic of Ingmar Bergman’s 1957 film The Seventh Seal, a historical fantasy set during the Black Death in which a chess game is played between a knight and Death. “I love those big, bleak landscapes,” he says.
The Amateurs also provided Zinn with the chance to work with fellow Washingtonian Jordan Harrison after many years of trying. Harrison and Zinn, though 10 years apart in age, attended the same school on Bainbridge Island and had some of the same teachers. Plus the play addresses themes important to Zinn, “a bunch of the preoccupations that I came to New York with, as someone who was politicized by AIDS and the AIDS crisis, and my weird coming out issues. The work was really beautiful and spoke to this bizarre communal experience.”
To read about a student’s experience at The Amateurs, check out this post on TDF’s sister site SEEN.
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Follow Martha Wade Steketee at @MSteketee. Follow TDF at @TDFNYC.
Top image: Quincy Tyler Bernstine, Jennifer Kim, Thomas Jay Ryan, and Kyle Beltran in The Amateurs. Photos by Carol Rosegg.
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MARTHA WADE STEKETEE