5 Theatres You Need to Know: Women’s Theatre Companies in NYC
5 Theatres to Know
Playwrights
Where to see female artists and women’s stories on stage
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But there are a handful of New York City theatres where women always dominate the spotlight, on and backstage. Founded by women to expand opportunities for their peers, these five companies complement the work of advocacy organizations such as the League of Professional Theatre Women, The Kilroys, Parity Productions and The Lily Awards, as they fight to bring equality to theatre.
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The oldest company in the country championing new plays by women, WP Theater was founded by producer Julia Miles in 1978 to address the lack of support and opportunity for female artists. Today, work by female-identifying and trans dramatists is also highlighted. Formerly known as the Women’s Project, the nonprofit company mounts two mainstage productions a year, and often collaborates on additional shows with other local troupes. To date, WP has produced more than 600 plays and projects, as well as its annual Parity Plays Festival, presented in partnership with Colt Coeur. Two-time Pulitzer Prize winner Lynn Nottage, playwright Theresa Rebeck, writer-director Emily Mann, Tony-winning director Pam MacKinnon, MacArthur “Genius Grant” Fellow Dominique Morisseau and Tony-winning director Diane Paulus are just a handful of WP’s celebrated alumni.
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2. New Georges
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After working on a Shakespeare production where they felt their creative talents were underappreciated, six women founded Spicy Witch in 2012. Every season, the company pairs a classic with a contemporary work to inspire conversations about the evolution of gender and identity across different eras. Some of the new plays come from the company’s Writer-in-Residence Program, which supports female or nonbinary dramatists interested in creating original adaptations of classics. The cheeky themes for past repertory lineups include “The Cuntry Wife,” “Reigning Women” and “Tragislasher.”
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4. The Hearth
After graduating from Kenyon College, director Emma Miller and performer-playwright Julia Greer founded The Hearth in 2016 because they were appalled by the gender statistics in the industry. The company is dedicated to nurturing female, trans and nonbinary theatre artists, not just playwrights and directors but designers, too. So far the troupe has premiered two full-fledged production: Beth Hyland’s For Annie, a play-within-a-play about violence against women, and Athena about a pair of competitive teenage fencers written by Relentless Award winner Gracie Gardner. The company also holds readings and developmental workshops.
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Since 2000, The Queen’s Company has subverted the centuries-old custom of all-male casts by presenting classical plays performed only by women. Sarah Bernhardt would be so proud! Founded by Rebecca Patterson, who directs all the productions, The Queen’s Company has presented many of Shakespeare’s works, including Macbeth, As You Like It, Twelfth Night, Antony and Cleopatra and The Taming of the Shrew, as well as John Webster’s The Duchess of Malfi, Brinsley Sheridan’s The School for Scandal and Sir Patient Fancy by Aphra Behn, one of the first female playwrights.
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Carey Purcell writes about pop culture and politics for Vanity Fair, Politico and other publications, and blogs at CareyPurcell.com.
Top image: Kate Wetherhead, Michelle Beck and Danielle Skraastad in Hurricane Diane produced by WP Theater and New York Theatre Workshop. Photo by Joan Marcus.
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Carey Purcell writes about pop culture and politics for Vanity Fair, Politico and other publications. In 2019, she published her first book: From Aphra Behn to Fun Home: A Cultural History of Feminist Theater.