TDF
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Let’s “Tryst” Again
By MARK PEIKERT The best plays turn into ghosts, haunting audiences long after the curtain has fallen. But for theatre professionals, a new show is sometimes just a job that will soon be replaced by the next job, the next show, and on and on and on. Director Joe Brancato, however, has been preoccupied for 10 years by a melodramatic thriller set in London in 1910. Since he first saw a production of
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The World of a Broadway Projection Designer
By ERIC GRODE
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“Rent” Returns
By LINDA BUCHWALD
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David Greenspan, Two Shows, and Eleven Characters
By ERIC GRODE
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How To Make “The Judy Show”
By MARK BLANKENSHIP
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The Dance is Grueling, But His Face Is Serene
By LAUREN KAY
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Sierra Boggess takes a “Master Class”
By ERIC GRODE
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How Do You Make “Universal Entertainment?”
By MARK BLANKENSHIP
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“Silence!” is Making Noise Again
By MARK BLANKENSHIP